The Performative Outreach of Tifocracy: Ultras Winners

Authors

  • Jamal Akabli King Fahd School of Translation in Tangier, Abdelmalek Essaadi University, Tetouan
  • Chadi Chahdi Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra
  • Rachid Qasbi Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra

DOI:

https://doi.org/10.32996/ijllt.2023.6.7.10

Keywords:

Performance art; Ultras; Fans; Chanting; Tifos; Popular expression; Power; Resistance.

Abstract

In recent years, performance art has transcended the traditional confines of the theater and expanded into new realms, unleashing the potential of diverse acts and actors. Among them are the ultras, a group of laypeople whose untrained yet powerful voices ring out in unison, shaking the walls of fear and inspiring awe. Their performances, whether in support or protest of their teams, have captured the hearts and minds of academics and politicians alike, drawing attention to the complex dynamics that govern their actions. In this paper, we explore the world of Ultras Winners, one of the leading groups supporting Wydad Athletic Club, shedding light on the motivations, methods, and meaning behind their performances. Through interviews and focus groups, we give the ultras the floor, allowing them to speak for themselves and others without censoring or silencing their voices. We argue that ultras represent a unique form of popular expression that is more representative of the people than some political bodies and that studying their performances offers valuable insights into the workings of power and resistance in contemporary society. By painting a vivid picture of the whole paraphernalia surrounding ultras, we aim to offer a fresh perspective on a phenomenon that has long captivated and mystified us.

Author Biographies

  • Jamal Akabli , King Fahd School of Translation in Tangier, Abdelmalek Essaadi University, Tetouan

    Dr. Jamal AKABLI is an Associate Professor at King Fahd School of Translation in Tangier, Abdelmalek Essaadi University, Tetouan. His main areas of interest range from Performance Studies to Post-colonial and Translation Studies. Besides publishing numerous articles on music, cinema, theatre and translation, he has co-edited Across Borders and Thresholds: Performing in Zones of Contact and Friction

  • Chadi Chahdi , Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra

    Dr. Chadi Chahdi is a PhD holder in Cultural Studies with a background in Media and Communication. He has extensive experience in teaching, conducting research, and organizing seminars and conferences. Dr. Chahdi is also certified to teach English to speakers of other languages (CELTA).

  • Rachid Qasbi, Faculty of Languages, Letters and Arts, Ibn Tofail University, Kenitra

    Mr. Moulay Rachid QASBI is currently a PhD candidate at the Language and Society laboratory at the Faculty of Languages, Letters and Arts, Ibn Tofail University. He is a Graduate Teaching Assistant at the same university. He is a consultant, a lecturer, and Study abroad expert for several American universities in Morocco.

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Published

2023-07-02

Issue

Section

Research Article

How to Cite

Akabli , J., Chahdi , C., & Qasbi, R. (2023). The Performative Outreach of Tifocracy: Ultras Winners. International Journal of Linguistics, Literature and Translation, 6(7), 81-89. https://doi.org/10.32996/ijllt.2023.6.7.10